Reflection essay creative writing

I tend to write in braided essay form, but in a recent essay about wolves, I took it to a different level. In this essay, I didn’t make so many explicit transitions. Instead, I used the research itself to catapult the essay’s questioning. I found “62 Interesting Facts about Wolves” using Google and considered how each one was really a fact about humans. If so many of the facts involve human-and-wolf interaction, can we imagine the wolf as a separate existence-worthy species? Or are wolves only a reflection of human fears, violent capacities, love of wilderness, ability to adapt? Should humans save them to save these elements of ourselves, or does wolf existence matter for reasons beyond its relationship to the human?

Schön, D. (1987) Educating the Reflective Practitioner , San Francisco: Jossey-Bass. 355 + xvii pages. Development of the thinking in the 1983 book with sections on understanding the need for artistry in professional education; the architectural studio as educational model for reflection-in-action; how the reflective practicum works; and implications for improving professional education. (For a useful critique see M. Eraut [1994] Developing Professional Knowledge and Competence , London: Falmer; and R. Usher et al (1997) Adult Education and the Postmodern Challenge , London: Routledge). The idea of reflection-in-action is explored in M. K. Smith (1994) Local Education , Buckingham: Open University Press.

Reflection essay creative writing

reflection essay creative writing

Media:

reflection essay creative writingreflection essay creative writingreflection essay creative writingreflection essay creative writing